Chinese painting and Western painting given expression different manifestation form of composition, perspective, the differences in the techniques and materials used. Therefore makes two different styles of painting, Chinese painting and Western painting as two thriving artistic giants. Service through its own unique form of painting. Spiritual life services for the people.
First,Composition
In a two-dimensional space on a plane, operating through a set of images or objects form the position, scale, hierarchical relationships and build a harmonious picture, is the most basic authoring steps, said Western painting "composition", Chinese painting called "operating location" or "the Organization".
Western landscape oil painting in delineating the image location, and configure the image shape size space, arrangements, a set of consistent with generally balanced frame of the laws of nature, with a triangular, diagonal. Pros and cons of painting composition forms a triangle. Reflects two opposite nature of the stable and unstable. Essentials of Chinese traditional landscape painting composition are virtual Zuo Shi right, right under the real left under, on virtual reality, virtual on the real, generally do not follow the proportional relationship. Such as the so-called "three stacks of two-stage" of Xinjiang, "Sandie" means a layer, two-level tree, three mountains: "two-stage" is King in the next, on the mountain. Specific sum up speaking, traditional landscape painting composition of about four words: up, insurance, transfer and collection. "Since" General are is from several tree tree, or a Sha slope, or giant stone, and mountain began, actually is on screen space in the main views of positioning, called "since" potential: in screen main around scattered to placed after main of other views, produced transition and undertakes, we called "bearing" potential, "bearing" potential has two species, that "are bearing" and "anti-bearing": other views General is and main relative, and main views trend has opposites relationship, in overall screen in the and main views formed has a overall momentum of retractable. And contrary to the panoramic view of the main momentum, it is known as "turn": while the main attractions and other attractions in screen space point is a combination of landscape painting "harmony", the "collection" is usually the picture of stone to display the scatter tree. The early Qing dynasty, "four kings", one of Wang yuanqi window referred to ramble in the rain: "whatever one wishes to say his pen follows painting tips, ... ... Defaults to sketch, your static gas, high, about sites outside the site, to route your way with confidence: and then immerse NG suck ink, the momentum before, the secondary structure of an essay, cloth density, dense, conversion and rap, Dong Huxi, natural only natural, natural get shot. "" Structure of an essay ", equivalent to Western composition framework. Is on the works of major and minor relationship between overall arrangement, landscape painting about "density", "they", "Kindle" relationship: Jing Hao in the landscape and highlighted in the section "hilltop Commission, a tree not two aligned". Landscape works, arrangements for each scene is a painter after careful consideration. Different era. Traditional Chinese painters for composition requirements are different, such as panoramic mountain water is relatively cumbersome in the Tang dynasty, Northern Song dynasty's landscape is a towering mountain stands in the middle of the screen, landscape is often cut to write a corner of the Southern Song dynasty, Yuan Dynasty landscape to selected few blocks of stone, a few strains of dead trees, even scroll landscape. Will always be shearing the best parts in the landscape. And it was like "figure" landscapes of towns listed.
By this. Western painting in the composition process can be understood on understanding of space is actually two extremes: from global to local and local to the whole.
Second, perspectives on space form
Observation of Western painting methods are "focused perspective". Observation of Chinese traditional painting methods are "scattered-point perspective". On the awareness of the concept of space, very far from the Chinese and Western painting. In the theory of traditional Chinese art, said the space concept has a different song Guo XI in linquan high to • landscape Institute, said: "the mountain there are three far, Yamashita and Yang-Shan peak, that lofty: Piedmont glimpse behind the mountains, that far-reaching: from the mountains of telescope, the ones that called Pingyuan. "This is not a simple concept of physical space, but in the poetic conception of space between heaven and Earth. Which artist to seek "a journey through the" mood, not real life around old, before and after. Required picture is artistic conception of Chinese painting with limited images, expression of infinite space. The case. When we understand Chinese paintings and Chinese painting theory, it cannot be interpreted as scientific perspective to this space space. In order to express this feeling artist accordingly to scatter perspective method instead of the focus method, which is a cultural background in China and thought on the formation of Visual space, the so-called "heart". Modern Germany philosopher Spange resistance (0. Spengler) has stated: "each of these independent cultural has his basic symbols. Specific imagery of its basic philosophy. Egypt was the "road", in Greece is ' stereo ', in the modern European culture is ' endless space. " Western painting art tracing is "two-dimensional Planar space illusory pursuit of three dimensional spatial sense of reality". Therefore, their awareness of space, is awareness of the nature of real space, space science, and not from the constraints of real natural like a painting. "china oil painting reproductions people know themselves, to reflect on life as a form of" space and landscape painter was only natural in the role in the transformation of space that acts as a carrier, just like the da Vinci said: the artist must "to the mirror as a teacher".