art

European classical paintings generally recognized as the 15th century rangdiye•beilini, qiaowanni•beilini, andongnailuo•da•manxina, kaosimai•duola, piailuo•Dela•fulangqiesika and Yang•Fan•Aike, a group of artists using eggs gum color powder painting also tried adjusting oil painting and color made of powdered pigment. The latter color more saturated heavy, luminosity contrast greater, more transparent and covering forces, thus the formation of gouache painting gradually turned to oil painting. They used virtually the same painting techniques, but using the difference between oil and rubber eggs. Early gouache paintings and oil paintings are almost always made from wood. Due to the oil painting for the oily nature of the material, when dealing with wood background should be taken to prevent oil leakage characteristics. General background color after the layers clean can be used. Nied blue painters used in Rafter brush hide glue on the wood panel, after drying, brushing a layer as the background color of the Cretaceous layers are required to complete cover off the wood texture and polished until the flat light. Use painters plastic color, in the form of line drawing version, fine. Uniform out of the picture is represented to the contours of the image color cast. Since the 16th century Italy Renaissance painter began, following the completion of contour lines, using glue and dark pink blending a dark brown eggs of that practice, pay attention to overall, dark colored blocks clear. After dry, paint with white light, at the same time with another clean brush, Shi Ca sweep of intermediate colors between the light and dark areas of convergence of natural, soft, and trying to make the contrast of dark tones, with an overview. White accent color paint after drying, thin oil on the screen (Dagmar megilp) become a barrier, to weaken the screen oil absorption phenomena in the future. After dry, with a transparent pigment blending Mattie Dagmar toners or resin color mixing oil SUMI cover color. Throughout the 15th century Dylan artist basically finishes rendering intent (that is, the Flemish creamy color oil and turpentine), so works appears to be more strong and transparent, is more conducive to shaping.
In processing plants, the 15th century classical painter, often using direct method in 17th century, some artists began to use more local direct drawing to make portrait oil painting. Lars your support-people and fashion use of transparent drawing of later works mixed with Alla prima technique. In 19th century France painter Ingres directly descriptive-oriented, transparent drawing supplemented by means of painting. I think the drawing directly detrimental to the color rendering. Therefore, my own painting characteristics and artistic pursuits. Starting from the effect by their selection techniques. Years of practice, experience and reflections, Wu felt canvas productions, drawing techniques of proper use and scientific blending between pigments are technical issues that cannot be ignored. In contrast, will be incurred in the process of making possible troubles and serious consequences of work cracking, peeling and discoloration.
In short, in the hundreds of years of painting in the history of the development of ancient masters in expressive oil painting, picture effects, and works to save the context for a long time to explore, painstakingly accumulated merged into lucrative system of classical painting techniques. Thus, classical learning oil painting techniques, you must have the correct rules of operation and scientific use of materials will it be possible to thoroughly understand the spirit of classical painting,especially for some china oil painting reproductions artist. Personal note: efforts of today's outstanding contemporary representational painter in Europe and America, nutrients from a classical painting, for their own use. Today accepted classical oil painting techniques and forms are meaningless wrong knowledge, also not in keeping with contemporary culture and development